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But the Internet will not suffice. Libraries cannot cover the world, and, even if they did, physical books are still in a class of their own. The Internet is not good for sustained reading. Actually, just the opposite is true. If you scan a physical book and find an anomaly, the time delay will stop you. It is likely that the problem will stop you not by the time you find it (since there is not much you can do when you find it), but by the time you return to the relevant spot and find it is in fact anomalous. Internet technologies are good for smooth, quick moves through works unperturbed by such anomalies, even to the point of automatically correcting errors. But they are not ideal for reading. By the time we stumble upon a book with a mistake, we are likely to be so frustrated that we give up and move on rather than plugging around and finding that there is nothing to be done. Even individual texts have their pitfalls. The problem of the Internet is not entirely a problem of the Internet. There is a now a significant problem of how and where to store these documents. The number of places that hold a digital copy is limited, and very likely growing more limited. This is indeed part of the problem of the Internet. Magazines have a problem of space. It is easy to download digital copies, but the numbers of digital readers strapped for space in their arsenal of personal hardware and software is small. This problem will only increase. Some institutions and publisher have developed storage solutions that involve making reference sections of the Internet available on CD-Rom. There is a problem of the pressing. Most people have little incentive to buy physical books. This comes, in part, from a sense of ownership and, in part, because of the cost. Digital formats are much, much cheaper. Flipping through digital documents with a mouse is much faster than flipping through, say, 20 volumes available only in a public library. It is no coincidence that most of us buy digital music instead of CDs. The digital music market is growing and gaining followers every year. The digital economics and consumer psychology of music are at least as good as they are for books. People are capable of buying more books (or access to more library materials) than music -- it really is that simple. It seems as though some of the people who have turned music over to digital formats are either willing to pay more for the same access or are willing to pay more for access to a growing, richer collection of tunes. d2c66b5586