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The social impact of German thinking has been enormous. Albrecht Därer formed the basis of The German Democratic Republic and was generally accepted as the father of modern art in Europe. Erwin Panofsky was one of the founders of modern aesthetics, whose work is considered by many as the foundation of cultural studies. Co-inventor of the digital computer, Konrad Zuse committed suicide in a holocaust-like event. The most considered modern art movement of the century, Bauhaus ended up as a seldom visited museum. Although less known and often confused with Dada, the Weimar Joseph Beuys was influential in the field of the socio-political right. Fritz Lang's Metropolis[9] and his science-fiction film Dr. Mabuse, der Spieler surpassed Adolph Hitler's Mein Kampf in popularity, and Hans Fallada won the prestigious popular vote in 1936, and there are countless others.[10][11] Open-mindedness, self-confidence and self-assurance are virtues of the German spirit. German science and technology had an enormous impact on the world in the latter half of the 20th century, following WWII. These achievements have been reviewed by C. Bobb at "The German Legacy of Revolutionary Science"[12] and by the Guardian.[13]
A cold and distant culture of inertia: can humanity come togetherIn one of his most unforgettable novels, Kurt Vonnegut wrote that people are faced with "the problem of being intelligent and being insane at the same time." You get the same lesson again and again: that the conditions which produce the vast majority of human happiness also produce people whose distortions and excesses inflict great pain on those around them. I would add, as many Germans are now, that we are not facing the problem of being intelligent and being insane, but of being intelligent and being insane at the same time: so many of today's Germans are suffering the terrible vision – so brilliantly described by Heinrich Boll – that a monster lives in them. d2c66b5586